Category: goodies

grizandnorm: Tuesday Tips – Body Shapes Using…


Tuesday Tips – Body Shapes
Using similar shapes within the design of a character is one way to achieve an overall pleasing design. Simplicity is always best, so using an overall shape structure for the entire body is also a great way to make a character more interesting. Think of shapes that can either work with or against the character’s personality. Round shapes are usually more inviting, for example.-Norm

kasiaslupecka: This week I’ve prepared some ti…


This week I’ve prepared some tips for everyone who is confused with arms. I know that pronation and supination is confusing and I recommend to learn in by heart <3

I have also announcement!

The day is approaching when I will release ebook or Gumroad PDF with all my anatomy tips + additional lessons + commentary.

I still am thinking how I will publish this but it will be done. Anyone who’s interested finally will be able to get everything in one place and some more good content. I will post some dates soon so look for that in next few weeks !



Studying Trees by Fabian Rensch

grizandnorm: Tuesday Tips – Structure/Gesture:…


Tuesday Tips – Structure/Gesture: Why Not Both!

Probably one the most compelling issue to deal with when drawing characters. There’s clear pros and cons to both approach. The key, IMO, is to straddle the line between both. Give appeal and energy through the use of gesture, but always give hints of structure, weight and solidity to make the character feel like it lives in an environment. I do a quick, dynamic gesture first, then I go back in and add some structure on a second pass. In a rush, I’ll focus the structure pass on faces, hands and feet (feet: their position on the ground to give weight and/or balance to the pose.) -Norm @grizandnorm #tuesdaytips #100tuesdaytips #100tuesdaytipsbook #structuregesture #whynotboth

amandaonwriting: ‘One of the easiest ways to s…


‘One of the easiest ways to show and not tell is by making your characters do things while they are talking or thinking about something. It could be anything including a chore, a daily grooming ritual, a hobby, or a group activity.

When you do this, you show who the character is by the things they choose to do or have to do. You also have to think about their body language, because the way a character does something says as much as the words they are speaking as they do it. [Read Cheat Sheets for Writing Body Language]

Try to avoid the act of scrolling through cell phones. Even if many people do this, it is passive and does not allow for movement, thought, and changes in body language.

Choose activities that fit naturally into your characters’ lifestyles. Do not force them to do things unless you mean to make them uncomfortable. [Read 5 Simple Ways To Describe Characters]

If you are stuck for ideas about what your characters can do when they are thinking about something important or while they are having a conversation, I’ve put together a list of 60 suggestions.’

modmad: here’s an old patreon reward to fill …


here’s an old patreon reward to fill in the drawing-hiatus void a bit; something I get asked about a lot is the ‘acting’ in my comics and how to be subtle with conveying emotions. The answer is mostly experience and constantly observing people in real life to learn about expressions, but knowing when to ‘dial up’ or ‘dial down’ emotion is very important! context is king- this is basically the same advice that Carl Barks gave on one of his reference sheets here (in a much more succinct manner!):




Hands – Greyscale to Colour Tutorial by Josh Summana

a-little-ray-of-fantasy: A little behind the s…


A little behind the scenes looking at how dresses and outfits work on skeletons.



i had a poll on DA so i will be doing basic how to stuff of the results

Breaking Writing Rules Right: “Show, don’t Tel…


8 times you need to use Telling in your writing.

It’s one of the first rules of creative writing you’ll hear. It may be the rule you hear the most: “Show, don’t tell.”

I’ll explain what that rule means, why it’s in place, and then why
following it too closely can actually harm rather than help your

There are places in writing where telling is just frankly better, and even more powerful.

What’s the Rule?

The Rule:

Show, don’t tell.

Why it’s a Rule

Honestly, almost any beginning writer who is getting into writing needs
to hear this advice, and probably several times. When I was in college,
this was like scripture. I heard it every week, if not every day. This
is because naturally, we are wired to “tell” a story rather than “show”
one. Telling is easier, and if we don’t know the difference, we just do
what’s natural and easy.

But what is the difference? And why does it matter which you use?

Here is an examples of telling:

  • Emily was tired.

Here is how you would change that example into showing:

  • Yawning, Emily dragged her backpack on the way to her bedroom. Her
    eyes drooped shut with each step. She fell into her bed and her shoes
    blackened the covers. She rubbed her eyes–mascara gritted against her
    skin–then flung her arm over her face to block out the light.

In my second example, I don’t just tell the reader Emily is tired, I
show them. There are a few reasons to do this. First, if I simply say
“Emily was tired,” as an audience, we don’t get a visual for what
“tired” is, how tired Emily is, or what kind of tired she feels. It’s
vague and general. Is Emily a bored kind of tired? Or physically tired
from running a mile? Or sleepy-tired? But when I show it, it’s clear
she’s sleepy-tired. How sleepy-tired? Tired enough that she can’t pick
up and carry her backpack, so tired that her eyes droop shut and she
doesn’t bother to take off her shoes before “falling” into bed. She
doesn’t even wash off her makeup or turn off the room’s light.

That’s how tired.

Second, when you show instead of tell it immerses the reader into the
story so that they feel like they are experiencing it instead of just
reading about it. It’s like they are there in the house with Emily, or
are Emily herself. One of the ways to do this well is to appeal to the
senses: sight, sound, touch, smell, and taste. In my second example, I
appealed to the senses of sight and touch. (In contrast, in my first
example, I appealed to no senses.) It’s important to immerse the reader,
so that they are experiencing the emotions in the story. If you “tell”
them everything, you’re (almost) never putting the emotions in the reader, so the story won’t be as powerful. When you “show” the story to the reader, you are allowing them to interpret and come to their own conclusions, rather then you telling
them what to think and believe. They become the character.

If telling still doesn’t seem that “bad” to you, look at what bland telling looks like sentence after sentence in this example:

They went to their friend’s house to see some cats. They liked them a
lot. When they got tired, they called their mom to pick them up, but
their mom couldn’t come for two hours. It was cold out, so they went
inside and got something warm to eat. Then they drew some pictures
before watching t.v.

How much emotion do you feel from that? Do you feel like you are in the story? Does it have you on the edge of you seat? Probably not.

Most all beginning writers write stories this way, which is why learning
to show, not tell, is preached just about everywhere. Telling is easy.
Showing takes work.

But like any writing rule, if you treat this one like a commandment, it
can actually hurt your writing and take the power out of your story.

Why You Need Telling

Here is why you need telling.

Keep reading